APPROACHING JUAN RAUL HOYOS’ PLAYGROUND When, by the end of the 50s, Bernd and Hilla Becher documented in black and white photographs the German factories’ “typologies,” in which several variations of a single sort of industrial structure were represented, they were actually making the archaeological work...
http://www.elcolombiano.com/historico/cinco_miradas_a_una_misma_coleccion-AWEC_288932...
http://www.alunartfoundation.com/affective-architectures/ https://gabrieldelamora.wordpress.com/2014/12/03/affective-architectures/ http://www.venuemagazine.com/2015/03/02/arquitecturas-afectivas/...
http://www.museoscolombianos.gov.co/fortalecimiento/comunicaciones/el-itinerante/Documents/itinerante.septiembre2012.pdf http://www.elcolombiano.com/historico/la_calle_se_hace_y_se_vuelve_arte-CFEC_207757...
http://www.minusspace.com/2012/03/oaxaca/ http://minusoax.tumblr.com...
Project SINTEC Juan Hoyos’ project, Sintec, 2009-2010, is deceptive. In its final form, it is no more than a series of stacks of white boxes. On the sides of these boxes the image of a sliver of a condo tower has been silkscreened. Seen this way,...
http://www.artnexus.com/Notice_View.aspx?DocumentID=23173&lan=es&x=1 http://es.artealdia.com/International/Contenidos/Novedades/Puntos_de_Fuga http://www.elcolombiano.com/historico/una_reflexion_a_proposito_de_puntos_de_fuga- http://letraurbana.com/articulos/cuando-el-espacio-se-transforma-en-un-lugar-de-la-ciudad/NEEC_107569 http://tectonicablog.com/?p=16774...
http://otraspracticas.blogspot.com/2009/09/taller-pictografica-por-juan-raul-hoyos.html...
Miami makes up a new and revealing rendezvous for Juan Raúl Hoyos’ work. Even today it is unclear to me what made him settle in the Latin Capital at that very moment in 2001; yet, after having observed and studied extensively his work process, I...